SIKESTON, Mo. — I wasn’t positive if visiting a cotton subject was a good suggestion. Nearly everybody in my household was antsy after we pulled as much as the ocean of white.
The cotton was stunning however soggy. An autumn rain had drenched the filth earlier than we arrived, our footwear sinking into the bottom with every step. I felt like a stranger to the soil.
My daughter, Lily, then 5, fortunately touched a cotton boil for the primary time. She mentioned it regarded like mashed potatoes. My dad posed for a couple of photographs whereas I attempted to take all of it in. We had been standing there — three generations robust — on the sting of a cotton subject 150 miles away from dwelling and a long time faraway from our personal previous. I hoped this was a possibility for us to grasp our story.
As a journalist, I cowl the methods racism — together with the violence that may include it — can impression our well being. For the previous few years, I’ve been engaged on a documentary movie and podcast referred to as “Silence in Sikeston.” The venture is about two killings that occurred a long time aside on this Missouri metropolis: a lynching in 1942 of a younger Black man named Cleo Wright and a 2020 police taking pictures of one other younger Black man, Denzel Taylor. My reporting explored the trauma that festered within the silence round their killings.
Whereas I interviewed Black households to be taught extra concerning the impact of those violent acts on this rural group of 16,000, I couldn’t cease fascinated with my family. But I didn’t know simply how a lot of our story, and the silence surrounding it, echoed Sikeston’s trauma. My father revealed our household’s secret solely after I delved into this reporting.
My daughter was too younger to grasp our household’s previous. I used to be nonetheless attempting to grasp it, too. As a substitute of attempting to clarify it straight away, I took everybody to a cotton subject.
Cotton is difficult. White individuals bought wealthy off cotton whereas my ancestors obtained nothing for his or her enslaved labor. My grandparents then labored arduous in these fields for little cash so we wouldn’t must do the identical. However my dad nonetheless smiled when he posed for an image that day within the subject.
“I see plenty of reminiscences,” he mentioned.

I’m the primary era to by no means dwell on a farm. Many Black People share that have, having fled the South in the course of the Great Migration of the final century. Our household left rural Tennessee for cities within the Midwest, however we hardly ever talked about it. Most of my cousins had seen cotton fields solely in films, by no means in actual life. Our mother and father labored arduous to maintain issues that method.
On the subject that day, my mother by no means left the van. She didn’t must see the cotton up shut. She was round Lily’s age when her grandfather taught her decide cotton. He had a third-grade schooling and owned greater than 100 acres in western Tennessee. Generally she needed to keep dwelling from faculty to assist work that land whereas her friends had been in school. She would watch the college bus cross by the sector.
“I’d simply cover, mendacity beneath the cotton stalks, laying as near the bottom as I may, attempting to ensure that nobody would see me,” my mother mentioned. “It was very embarrassing.”
She didn’t discuss to me about that a part of her life till we traveled to Sikeston. Our journey to the cotton subject opened the door to a dialog that wasn’t simple however was essential. My reporting sparked comparable arduous conversations with my dad.
As a toddler, I overheard adults in my household as they mentioned racism and the artwork of holding their tongues when a white individual mistreated them. On my mom’s facet of the household, after we’d collect for the vacations, aunts and uncles mentioned cross-burnings within the South and within the Midwest. Even within the Nineties, somebody positioned a burning cross exterior a college in Dubuque, Iowa, the place one among my family members served as the town’s first Black principal.
On my father’s facet of the household, I heard tales a few relative who died younger, my great-uncle Leemon Anthony. For many of my dad’s life, individuals had mentioned my great-uncle died in a wagon-and-mule accident.
“There was a touch there was one thing to do with it concerning the police,” my dad informed me not too long ago. “But it surely wasn’t a lot.”
So, years in the past, my dad determined to research.
He referred to as up members of the family, dug by on-line newspaper archives, and searched ancestry web sites. Finally, he discovered Leemon’s demise certificates. However for greater than a decade, he saved what he discovered to himself — till I began telling him concerning the tales from Sikeston.
“It says ‘shot by police,’ ‘resisting arrest,’” my dad defined to me in his dwelling workplace as we regarded on the demise certificates. “I by no means heard this in my complete life. I assumed he died in an accident.”
Leemon’s demise in 1946 was listed as a murder and the officers concerned weren’t charged with any crime. Each element mirrored modern-day police shootings and lynchings from the previous.


This younger Black man — whom my household remembered as fun-loving, outgoing, and good-looking — was killed with none courtroom trial, as Taylor was when police shot him and Wright was when a mob lynched him in Sikeston. Even when the boys had been responsible of the crimes that prompted the confrontations, these allegations wouldn’t have triggered the demise penalty.
At a listening to in 1946, a police officer mentioned that he shot my uncle in self-defense after Leemon took the officer’s gun away from him 3 times throughout a struggle, in keeping with a Jackson Solar newspaper article my dad discovered. Within the article, my great-grandfather mentioned that Leemon had been “stressed,” “absent minded,” and “all off form” since he returned dwelling from serving abroad within the Military throughout World Struggle II.
Earlier than I may ask any questions, my dad’s telephone rang. Whereas he regarded to see who was calling, I attempted to collect my ideas. I used to be overwhelmed by the small print.
My dad later gently jogged my memory that Leemon’s story wasn’t distinctive. “Plenty of us have had these incidents in our households,” he mentioned.
Our dialog befell when activists all over the world had been talking out about racial violence, shouting names, and protesting for change. However nobody had executed that for my uncle. A painful piece of my household’s story had been filed away, silenced. My dad appeared to be the one one holding area for my great-uncle Leemon — a reputation that was not spoken. But my dad was doing it alone.
It looks as if one thing we must always have mentioned as a household. I questioned the way it formed his view of the world and whether or not he noticed himself in Leemon. I felt a way of grief that was arduous to course of.


So, as a part of my reporting on Sikeston, I spoke to Aiesha Lee, a licensed counselor and Penn State College assistant professor who research intergenerational trauma.
“This ache has compounded over generations,” Lee mentioned. “We’re going to must deconstruct it or heal it over generations.”
Lee mentioned that when Black households like mine and people in Sikeston speak about our wounds, it represents step one towards therapeutic. Not doing so, she mentioned, can result in mental and physical health problems.
In my household, breaking our silence feels scary. As a society, we’re nonetheless studying discuss concerning the anxiousness, stress, disgrace, and concern that come from the heavy burden of systemic racism. All of us have a duty to confront it — not simply Black households. I want we didn’t must cope with racism, however, within the meantime, my household has determined to not undergo in silence.
On that very same journey to the cotton subject, I launched my dad to the households I’d interviewed in Sikeston. They talked to him about Cleo and Denzel. He talked to them about Leemon, too.
I wasn’t fascinated with my great-uncle once I first packed my luggage for rural Missouri to inform the tales about different Black households. However my dad was holding on to Leemon’s story. By preserving the file — and eventually sharing it with me — he was ensuring his uncle was remembered. Now I say every of their names: Cleo Wright. Denzel Taylor. Leemon Anthony.
The “Silence in Sikeston” podcast from KFF Well being Information and GBH’s WORLD is available on all major streaming platforms. A documentary movie from KFF Well being Information, Retro Report, and GBH’s WORLD will air at 8 p.m. ET on Sept. 16 on WORLD’s YouTube channel, WORLDchannel.org, and the PBS app. Preview the trailer for the film and the podcast. Extra details about “Silence in Sikeston.”
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